1968: Robert Morris essay "Anti-Form"
Robert Morris predicts that the best new work was going to be less geometric and more liquid, having no edges and being less retinal or optical:
"To think that painting has some inherent optical nature is ridiculous. It is equally silly to define its "thingness" as acts of logic that acknowledge the edges of the support. The optical and the physical are both there. Both Pollock and Louis were aware of both. Both used directly the physical, fluid properties of paint. Their "optical" forms resulted from dealing with the properties of fluidity and the conditions of a more or less absorptive ground. The forms and the order of their work were not a priori to the means."[more...]
"To think that painting has some inherent optical nature is ridiculous. It is equally silly to define its "thingness" as acts of logic that acknowledge the edges of the support. The optical and the physical are both there. Both Pollock and Louis were aware of both. Both used directly the physical, fluid properties of paint. Their "optical" forms resulted from dealing with the properties of fluidity and the conditions of a more or less absorptive ground. The forms and the order of their work were not a priori to the means."[more...]
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